Blašković creates four voices that intertwine into a veritable quartet, singing about the agony of the turn of the millennium as they try to reconcile the iconography of the past with the present. Set in a prison infirmary during the NATO bombing of Serbia, Madonna’s Jewelry is a postmodern manual of political incorrectness. Sometimes profound and thoughtful, sometimes scathing, sometimes witty, all four narrators, each of whom is imprisoned justly but for the wrong reasons, encourage the reader to reflect on the meaning of form in an increasingly formless world.