Leica format

Leica format
Hrvaška
dasa-drndic-100-romanov
Daša Drndić

In the novel Leica Format, Daša Drndić depicts a provincial town and the petty-bourgeois mentality of its inhabitants — both the old residents and the ‘newcomers’ and immigrants. The main characters, some of whom were mentioned in her previous works, encourage readers to look for connections between them and to wonder whether they are based on real people whose stories the author reconstructs from old photographs, documents, and records, fragments of which are embedded in the text. Using an almost cinematic montage technique and graphic devices such as narrowed columns and italics, Drndić evokes the town’s atmosphere — shaped by the mentality of its people — as well as the theme of escape, or the failed attempt to escape, and the profound feeling of not belonging.

Daša Drndić (1946 - 2017) worked as an editor in a publishing house, as a teacher of English, as an editor and dramaturge on television, and lectured on modern British literature and creative writing. She published prose, literary criticism, analytical essays, and translations in journals and literary magazines, as well as radio dramas, both fictional and documentary. Her published prose works include: The Path to Saturday, Stone from the Sky, Maria Częstohowska Still Weeps or Dying in Toronto, Canzone di guerra, Totenwande, Doppelgänger, Leica Format, After Eight, Feminist Manuscript or Political Parable, Sonnenschein, April in Berlin, Belladonna, and EEG. The novel Sonnenschein received several awards, including the Independent Foreign Fiction Readers’ Prize (2013) for the best translated fiction book chosen by readers.