A Myrtle-Coloured Rob

Ogrtač boje mirte
Montenegro
cedo-vulevic
Čedo Vulević
Everything has its own flow and bequeathed transience: day in and day out. In between stands a sort of a poor man’s haven, or its fascination. Everything is surrounded by a wall that man carries within.

Čedo Vulević was born on 8 May  1927 in Trešnjevo, near Andrijevica.

He published the novels Povratak predaka (1974), Dušmani (1980), Vanredna linija (1990), Makarije ot Črnie Gori (1994) and Ogrtač boje mirte (2001), and the books of stories Bertine partiture (2004), Prtljag snova (2005) and Nalet bočnih vjetrova (2007). He wrote screenplays for feature films and documentaries and performed management duties in publishing (“Obod” Cetinje) and film companies (“Lovćen film” Budva and “Film studio” Titograd).

His first novel, Povratak predaka, was prohibited by the court and destroyed. He received the 13th July Award in 1991 for the novel Vanredna linija.

He was a member of the Montenegrin Matica, the Montenegrin PEN Centre, the Montenegrin Society of Independent Writers and the Duklja Academy of Sciences and Arts.

He died in Trešnjevo, on 11 July 2006.

In his last novel, Ogrtač boje mirte – A Myrtle-Coloured Robe, Čedo Vulević sublimated thematic preoccupations and stylistic trends that have marked his entire novelistic opus.

The action of the novel Ogrtač boje mirte mostly takes place in the room 23 of a psychiatric hospital of an imaginary seaside town Dubrave and its immediate surroundings. Although temporally and spatially tightly limited, with only a few protagonists, the plot of the novel extends through manuscripts and visions, the inserts of (pseudo) historical narratives of the characters and reminiscences of their previous lives, reaching the mythical tradition of antiquity, Montenegrin historical junctions and the testimony of disintegration of Yugoslavia. The central character of the novel, writer Vladimir Šćepanović, came to the psychiatric hospital due to the police order after he was banned and burned the novel about the camp experience. The weird world of the room 23, inhabited with hallucinations and dreams, is a kind of metonymy of the world outside the walls of the hospital in Dubrave, the world marked by cyclical movement of time, persecutions, suffering and destruction.